UNAVAILABLE
Previous Page
Send me an E-mail (Must Be Online)
Back To The First Page
Galatea Of The Spheres

Quantum mechanics, multiverse, atoms, . . . I don't know how it all came about but my post-modern investigation has veered from the sphere of art into modern science, mathematics, physics. I have been spun into a new path of investigation as I try to straddle new systems of philosophy and science. I have logged into the realm of post-modern science . . . . a whole lot more. I have found that science has an important links to surrealism and particularly Salvador Dali. Dali's work reflects his influence interest in works such as "Galatea Of The Spheres" and "The Three Sphinxes" (1947), "Leda Atomica" and "Dematerialisation Near The Nose at Nero"(1947) Dali has reconciled and interwoven modern physics with mysticism. Dali has drawn inspiration from nuclear physics and atomic particles, exploring the harmony in the universe.

I have been researching particularly chaos and butterfly theories. My research is inherently connected to the intellectual sphere, it is perhaps science that resides at the core of human creativity. Questioning the mystery of nature and its relationship to artistic theory. I am interested in finding order through different forms of chaos in nature. Ideas of chaos can be applied to my work as I search for pattern, complexity and randomness in creative compositions. Modern science has enhanced my understanding of how science constitutes the philosophical climates that literature/art is created in.

This idea is paralleled in science as scientists search to establish intricate hypotheses and rationalize the irrational. We are looking for complex answers for simple questions in the black and abyss and harrowing hollow of post modern mystery.

Post-modernism allows me to draw inspiration and formulae from scientific phenomena and entwine theories with art. Post-modernism allows me to develop ideas form science and through smearing these with with creative consideration, I can magnify, extend and parallel principles. Art and science correspond, becoming compatible with art and a tool for understanding the human imagination.

This research has allowed me to penetrate local universe of creative thought and connect to larger systems of theorizing. All of my research is related to experience and radical ideas. We can only talk abstractly about post-modernism as it has no parameters, no boundaries that can be explored or violated. We attempt to measure the immeasurable.

Even atoms misbehave and are indecisive, science and post-modern question but provides no solutions. All of this research is related to my investigation experience, radicalism and artistic energies. Science parallels literature and ideas and questions are recycled, we are trying to violate reality before we understand its complexity. Scientific trends and pattern in thought are repeated , reconfigured and paralleled in literature. Science is riddled with contradiction, generalization and these contradictions are reflected in literature through movements that are themselves contradictory.

My work is about evading definitions and reacting against reactions. I am more interested in what is outside the parameters rather than understanding what is inside them. In my work, it is as though I am married to sensibility, I am having an affair with absurdity and being tempted by radicalism. My English work has allowed me to elope with irrationality.


Please Note: This is the end of the webpage.